Djos Janssens (Brussels, 1966) uses painting as a starting point for his site-specific interventions. Working with context, architecture and the public, and using techniques from the field of visual communication (lettering, lighting, silk-screening, etc.), the artist proposes a number of seemingly simple yet complex stories. Stories that question our vision and understanding, that make us think and, sometimes, smile. Her work analyzes the environment and society through the medium of plastic language, with the aim of disrupting the codes of consumer society.